My studio is on the small side... it was built as a one-and-a-half car garage.  Don’t ask.  Anyhow, when we moved in, it quickly became a storage hole.  When I decided that having my studio 25 miles away in Berkeley was no longer practical, I set about transforming the space into a studio.

 

One thing I really missed was a spray booth... since committing to firing my pots in my electric kiln (and

 

These are some of my most recent pots... most of these were fired last week using my former cone 6 body... called D2 from East Bay Clay.  I used three glazes from a CM article on cone 6 reduction firing... a Shino, a Temmoku, and a turquoise.  I also used four of my cone 6 oxidation glazes: MC6G Spearmint, Variegated Slate Blue, and high-calcium semi-matte white, and Pete Pinnell’s Weathered